horror

Dust has been released as an audiobook...

Dust_A 3 As of right now, DUST is available as an audiobook. And the narrator is me, myself and I. Yes, all three of us. It was quite the adventure to head into the studio and lay down these "tracks" or should I say words? And it was also a curious experience to return to a novel so many years after it was first released (DUST came out in 2001 and due to an incredible series of lucky events won the Governor General's Award and hit the bestseller list). Reading the book aloud was like travelling back in time but not getting any younger (sadly). Anyway, I'm really pleased with how the audiobook turned out. I do have an official page for the book at Dust: the audiobook.

You are also welcome, of course, to visit these fine retailers. And to hit the share buttons below to let people know about this new version of the book.

audibleamazonScreen Shot 2015-08-07 at 7.25.30 AM

I should probably mention that the book is about a rainmaker who comes to a small town promising rain but the children begin to disappear. So, umm, it's a little bit creepy. Just a little bit.

"Read the riveting first chapter of Dust and you're already past the point of no return. Arthur Slade writes with the art and grace of a hypnotist, and you won't be able to put this book down. It's sensational!" -- Kenneth Oppel NY Times Best Selling Author of “Airborn”

Dust wins the Governor General's Award (Ten years ago, that is)

Recently, I was going through a few old VHS tapes and I—what why are you interrupting me? Oh, what's VHS you ask? It's the video recording format that conquered Beta—what's Beta you ask...ah, just Google it. Anyway, I discovered a dusty tape of the award ceremony for the Governor General's awards in 2001. My novel Dust won the award for Children's Literature that year and that meant a trip to Rideau Hall in Ottawa to see the Governor General and attend an extremely fancy ceremony (Oh, and pick up a cheque for $15,000.00). Money, free food and a mini-holiday! It's every author's dream. Here's the video: [youtube http://www.youtube.com/watch?v=9pjHVUMGscg]

Oh, wait! I wish I was at that ceremony! Actually, the Governor General's ceremony is the closest I'll ever come to getting a medal from Princess Leia. Here is the actual video. The two hour ceremony has been edited down to 5 minutes (in other words I cut everyone else's presentation out).

[youtube http://www.youtube.com/watch?v=8JX7fYs6aIg]

This is still the highlight of my career. Ten years later I'm surprised that all of this happened and that Dust received so much attention. When I finished writing the book I remember wondering who would want to read a slow-building, dark fantasy? 

Ten years! I'm a little grayer and waiting for that wisdom that is supposed to come with age.

Art

Dark Endeavours: Interview with Kenneth Oppel

Ladies, non-ladies, gents and non-gents, 
Herewith is my interview with Kenneth Oppel. It previously appeared on the brilliant Cynsations blog.
Kenneth Oppel's first novel Colin's Fantastic Video Adventure was published when he was seventeen and he hasn't slowed down one iota since. He is the author of the Silverwing series (which has sold over a million copies), the Airborn series (winner of the Governor General's Award for Children's Literature and the Michael L. Printz Honor Book award), and the highly acclaimed Half Brother. He lives in Toronto, Canada.
A: Congrats on the release of This Dark Endeavor: The Apprenticeship of Victor Frankenstein. The idea of doing a prequel to Mary Shelley's Frankenstein is very inspired and I'm certain there are many authors shouting, "why didn't I think of that?" Has anyone accused you of stealing their idea?
K: Amazingly, no, especially since there have been plenty of other classics rebooted with young heroes lately. You yourself may be familiar with the fabulous Hunchback series; there’s also young Sherlock Homes, young James Bond, among others. But Frankenstein was still unclaimed! I was making a presentation to a group of booksellers in the US a few months ago, and someone in the audience asked me if I was planning on ripping off any other literary classics. She didn’t actually say “ripping off” but you get the idea. I said I didn’t have any immediate plans, but asked if she had any suggestions. “Moby Dick,” she said, “focusing on Captain Ahab.” It’s not a bad idea. But I don’t think I’ll take the bait.
A: Hmm. Steampunked Moby Dick! Just let me write that down...anyway, back to the interview. Can you pinpoint when you first had that aha moment?
K: I love Mary Shelley’s Frankenstein. I’d just re-read it a couple of years ago, and the mentions of his childhood were brief but evocative. There were mentions of seeking out the Elixir of Life, raising ghosts and demons – you know, pretty typical teenaged stuff, right up there with rep soccer and hot yoga. But I saw these things as the seeds of possible gothic adventure stories. I spent a lot of time wondering about what might happen on such adventures, and what would motivate them in a powerful way. I sat on the idea for quite a while, almost a full year, before I shared it with my agent and approached publishers, because I wanted to make sure the idea was well formed; I really didn’t want it to be seen as a gratuitous attempt to cash in on the Frankenstein myth.
A: Did you channel Mary Shelley while you were writing? By that I mean did you want to imitate the style of the original book? Shelley's Frankenstein is a rather slow and dreamy novel at times, yet you manage to keep that dreaminess but also the plot moves along at a good clip. 
K: I’m a pretty good mimic, so yes, I did try to capture the linguistic flavour of the original, but without making it inaccessible to contemporary readers. I quite enjoy the richness of period fiction, so the language in Dark Endeavor might be a little more formal, but I made sure it’s effortless to read. I read all my books aloud during the writing/editing process, and if the prose sounds too constipated, or unnatural, or the pace is slack, I know about it, and change it. The book combines gothic adventure and horror and romance, and I wanted it to belt along. I’m not sure I could write a book that didn’t have a fairly powerful plot as its internal combustion engine.
A: How much leeway did you give yourself to play around with the backstory from the original novel?
K: Well, once I invented a twin brother for Victor, I was making a pretty clean break from the world of the original. I like to think of it as an alternative backstory to the Frankenstein myth. A search for the elixir of life is a great idea for an adventure, but I thought it would be even more powerful, and personal, if Victor needed the elixir to heal someone he loved. It could’ve been any family member, but I decided a brother – a twin! – would have the richest emotional possibilities. As for the cast of characters, I made the love interest, Elizabeth Lavenza a distant relation (as opposed to first cousin). Their best friend Henry Clerval was transformed into a slightly comic Woody Allen-like character who’s riddled with phobias and fears, making him the least likely person to enjoy a Frankenstein-style banquet of horror. Victor’s parents I actually based on Mary Shelley’s real parents, the radical writers William Godwin and Mary Wollestonecraft, so my Frankenstein household is very liberal for its time. Mrs. Frankenstein writes pamphlets on the rights and education of women; Mr Frankenstein is a fair magistrate who insists on his own family making the servants their Sunday dinner as a gesture of egalitarianism (a concept that was sweeping through Europe in the late 1700’s). And my Victor himself certainly shares traits of both Percy Shelley and Lord Byron (as did Mary Shelley’s Victor)..So I tried to work in lots of insider Frankenstein information.
A: Giving Victor Frankenstein a twin certainly upped the "interest" factor of the novel. The fact is, I liked "steady" Konrad more than the "impetuous" Victor, the narrator of the story. And yet, I was somehow cheering for Victor, too. Was that your intention?
K: Anti-heroes can be incredibly charismatic and exciting. I’m not sure I’d go so far as to call Victor an anti-hero. He has some dislikeable traits, but he’s never truly wicked (not in this first book anyway). You cheer for Victor, I think, because he has so much life and drive and passion in him; and you never forget he loves his brother, even though he’s ragingly jealous of him, and wants to steal his girlfriend. So yes, I wanted Victor to be complicated – but that makes him a much more interesting character I think.
A: It must have been rather exciting to have the book optioned before it was published. What was the process for that?
K: It was very exciting. My literary agent Steven Malk thought the book had strong movie potential, and showed the manuscript to an amazing pair of agents in Hollywood, Nick Harris and Josie Freedman at ICM, who specialise in book-to-film rights. They really liked it, and sent it out to a dozen top producers and within a couple days we had three offers from major studios. This doesn’t happen often. I know. I used to write screenplays, and I’ve had many books and scripts optioned over the years and usually you’re lucky if you get one offer amidst the tsunami of “passes”. Our decision was pretty easy: we sold the rights to producer Karen Rosenfelt and Summit Entertainment, the producer and studio who made Twilight movies.
A: The book ties up the ending nicely, yet there is still room for a sequel. What's next for Victor? 
K: At the end of Book One, Victor promises himself he’ll unlock every secret law of the earth to achieve his goals – let’s just say he honours his promise.
A: You've gone from the rich "bat" fantasy world of the Silverwing series, to the post-Victorian atmosphere of the Airborn series, to the modern reality of Half Brother. And now Frankenstein. Where will you be taking us next?
K: Straight to hell, in the second instalment of the Apprenticeship of Victor Frankenstein. It’s called Such Wicked Intent, and should be published August 2012. After that, who knows. I’ve got a couple of ideas I’m very excited about and now that I’ve just finished revisions on Such Wicked Intent, I have the wonderful luxury of daydreaming them into existence.
Thanks for the interview, Ken.
I hereby request readers to visit his website at http://www.kennethoppel.ca/

A Decade of Dust

I apologize for the maudlin post but Dust has been out for ten years now. I launched the book on September 21st, 2001 in Saskatoon's Western Development Museum: 1910 Boomtown. It was the first time I'd launched in such a big and perfectly-themed venue (I wish I could find the pics but they are in storage somewhere). Here's a pic of the museum interior.

I honestly had no idea how successful the book would become and am still surprised by its reception. It went on to win several awards including:

*The 2001 Governor General's Award for Children's Literature *The 2001 Saskatchewan Book Award for Children's Literature *The 2002 Mr. Christie's Book Award (this came with $ and cookies. Mmm) *Nominated for a 2004 Edgar Award.

Here I am with Adrienne Clarkson, once the Governor General of Canada. She's presenting me with a leather-bound copy of DUST.

There are a few things you may not know about the novel. Here's the first draft of the Canadian cover:

And here's the original American cover:

The American version is about 5 pages longer. Because it came out in 2003 I was able to have one more crack at the book and I fine tuned it a bit more and added a few smaller scenes, including one at the end that helped explain the townspeople's reaction to their "forgetfulness" about their children disappearing. It's a particularly poignant scene.

There have now been 13 movie companies that have shown interest in the rights, including 4 major Hollywood studios. So far no one has come up with the money to make the movie (or pay off my mortgage).

Work on a graphic novel was started with Christopher Steininger but, as of yet, it has not been picked up by a publisher.

The book continues to be popular in Canada and I've received hundreds of emails and letters about it. It eventually went out of print in the U.S. and was never sold to any other countries.

With the advent of ebooks I was able to re-release the book in the US as an ebook (and in the U.K., too).

So it is good to have the book come back to life. It was briefly the #12 bestselling horror novel on Amazon U.S. and the #2 bestselling horror novel on Amazon UK. If only it would stay in those positions I could finance my own movie! : ) It has been rather fun for me to see the book gain a new readership.

So there you have it. A decade of Dust. Happy birthday! Here's to another ten years....

Art

Howl for the Wolfman! The Loki Wolf is released today!

Today is the official worldwide--no galaxy-wide--wait, I mean, universe-wide release of the ebook for The Loki Wolf, the third novel in the Northern Frights series. It's a happy little Christmas werewolf story (because really we need more Christmas werewolf stories, don't we? Santa and the elves get all the attention). Here's a description:

"On the third night the worst nightmare -- the very worst -- invaded my mind. Loping behind me was a gigantic wolf, its jaws snapping together and tearing off pieces of my flesh. There was no blood. No pain. But bit by bit he swallowed chunks of my body until nothing of Angela Laxness remained."

When Angie dreams about being devoured by a giant wolf, her parents tell her it is only her imagination. But later, while on a vacation in Iceland with her grandfather and two cousins, she begins to wonder if the dream wasn't a warning. First, there are strange scratches outside her window. Then she finds out that sheep have recently been disappearing from her uncle's farm. But it isn't until she and her cousins go to the old croft house that they discover the horrifying truth.

See? A happy little Christmas werewolf story! And it follows that general "horror" rule: don't go into the croft house!

I'm absolutely excited to be releasing this ebook today. The novel has been out of print for several years and I'm so glad that it has come back to life (with the aid of electronic technologies). The extremely frightening cover is done by uber-artist Derek Mah. I get nightmares just looking at it. It's so fleshy and beardy all at once. And, in re-reading the book, I was pleased to discover that it is still a frightening story (really, don't go into the croft house). And I had forgotten how much Icelandic folklore was injected into this book (and the series). Those Vikings could really tell tales.

So The Loki Wolf is on the loose and available for the jaw-dropping, saliva inducing price of $2.99. Just click this link for the various ebookseller links.

Happy Hauntings!

P.S. This brings to a close the first part of my ebook experiment. To recap I've released the following novels and short story collections as ebooks: Don't they look pretty altogether? I'm going to concentrate on my Hunchback books for the next while (looming deadline!), but am toying with the idea of a few other eprojects (including a novel). Stay tuned. Peace out. BHM's in. P.P.S. BHM's are Big Hairy Monsters. Join the fur nation.